Jazz is a genre of music that originated in African American communities during the late 19th and early 20th century. About the book: https://www.amazon.com/gp/product/067944551X/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=067944551X&linkCode=as2&tag=tra0c7-20&linkId=61d05f3affae9a3f8dc2731968dafea3
It emerged in many parts of the United States in the form of independent popular musical styles, all linked by the common bonds of African American and European American musical parentage with a performance orientation. Jazz spans a period of over 100 years and encompasses a range of music from ragtime to the present day, and has proved to be very difficult to define. Jazz makes heavy use of improvisation, polyrhythms, syncopation and the swung note, as well as aspects of European harmony, American popular music, the brass band tradition, and African musical elements such as blue notes and ragtime. The birth of Jazz in the multicultural society of America has led intellectuals from around the world to hail Jazz as “one of America’s original art forms”.
As jazz spread around the world, it drew on different national, regional, and local musical cultures, giving rise to many distinctive styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, heavily arranged dance-oriented swing big bands, Kansas City jazz, a hard-swinging, bluesy, improvisational style and Gypsy jazz (a style that emphasized Musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music towards a more challenging “musician’s music” which was played at faster tempos and used more chord-based improvisation. Cool jazz developed in the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.
The 1950s saw the emergence of free jazz, which explored playing without regular meter, beat and formal structures, and in the mid-1950s, hard bop, which introduced influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock rhythms, electric instruments and the highly amplified stage sound of rock. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other jazz styles include Afro-Cuban jazz, West Coast jazz, ska jazz, Indo jazz, avant-garde jazz, soul jazz, chamber jazz, Latin jazz, jazz funk, loft jazz, punk jazz, acid jazz, ethno jazz, jazz rap, M-Base, spiritual jazz and nu jazz.
Prominent jazz musician Louis Armstrong observed: “At one time they were calling it levee camp music, then in my day it was ragtime. When I got up North I commenced to hear about jazz, Chicago style, Dixieland, swing. All refinements of what we played in New Orleans… There ain’t nothing new.” Or as jazz musician J. J. Johnson put it in a 1988 interview: “Jazz is restless. It won’t stay put and it never will.”
Jazz since the 1990s has been characterised by a pluralism in which no one style dominates but rather a wide range of active styles and genres are popular. Individual performers often play in a variety of styles, sometimes in the same performance. Pianist Brad Mehldau and power trio The Bad Plus have explored contemporary rock music within the context of the traditional jazz acoustic piano trio, for example recording instrumental jazz versions of songs by rock musicians. The Bad Plus have also incorporated elements of free jazz into their music. A firm avant-garde or free jazz stance has been maintained by some players, such as saxophonists Greg Osby and Charles Gayle, while others, such as James Carter, have incorporated free jazz elements into a more traditional framework.
On the other side, even a singer like Harry Connick, Jr. who has ten number-1 US so-called jazz albums,  is sometimes called a jazz musician although there are just some elements from jazz history in his mainly pop oriented music. Also other new vocalists, such as Diana Krall, Norah Jones, Cassandra Wilson, Kurt Elling, and Jamie Cullum, have achieved popularity with a mix of traditional jazz and pop/rock forms.
Players emerging since the 1990s and usually performing in largely straight-ahead settings include pianists Jason Moran and Vijay Iyer, guitarist Kurt Rosenwinkel, vibraphonist Stefon Harris, trumpeters Roy Hargrove and Terence Blanchard, saxophonists Chris Potter and Joshua Redman, clarinetist Ken Peplowski, and bassist Christian McBride.
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